Pitta Kathalu film solid: Saanve Megghana, Eesha Rebba, Amala Paul and Shruthi Haasan
Pitta Kathalu film administrators: Tharun Bhascker, Sankalp Reddy, Nandini Reddy, Nag Ashwin
Pitta Kathalu film rankings: 2 stars
The Netflix anthology Pitta Kathalu begins with Tharun Bhascker’s Ramula. It is set in a conservative city the place kids hooked to smartphones and TikTook movies are actually holding sway. Ramula (Saanve Megghana) is a pure centrist. She is conservative and on the similar time, she is not. She has a boyfriend but is completely towards partaking in any type of bodily intimacy with him earlier than marriage. She needs to marry the particular person of her alternative but on the similar time, she doesn’t wish to betray the belief of her household. Even although she feels like a inventory character straight out of our potboilers, she is not. The approach she takes possession of her sexuality makes all of the distinction. She is smooth but courageous, naïve but not silly.
Ramula’s balancing act pushes her boyfriend, Ram Chander (Naveen Kumar) to frustration. The lack of intimacy makes him really feel insecure within the relationship. Then, the plain occurs — a break-up. And what unfolds later is a collection of revelations, deception and tragedy. Tharun strikes a stable steadiness because the movie is bitterly humorous and strikingly rooted. He has given a comical spin to critical characters and added dollops of realism to make it extra interesting. All actors depart a mark regardless of their display screen time within the film. Ram Chander’s father, Ramula’s elder brother and Manchu Lakshmi as a crooked politician get their second to shine. It offers a way of wholesomeness to the film, making Ramula as one of the best section of the 4.
BV Nandini Reddy’s Meera revolves round a femme fatale. Meera (Amala Paul) has been in an abusive marriage for nearly a decade now. Her husband Vishwa (Jagapathi Babu) is suffering from insecurities over his lovely spouse. He thinks she is dishonest on her and he is not fully unsuitable. His spouse’s deception comes with vengeance, and he or she has her purpose. But, it is onerous to grasp why different characters within the film, oblivious to Meera’s lethal scheme, contribute to Vishwa’s insecurities. The individuals who collect on the couple’s anniversary social gathering don’t have anything else to say besides how attractive Meera is. Especially when males pay compliments to Meera, it comes with robust sexual overtones. It feels so unreal and compelled. Nandini and her crew of writers have chosen comfort over the onerous work of weaving a plausible, treacherous and intelligent plot. It needs to be Gone Girl, but what we get is an apathetic story of a vengeful lady’s try at redemption.
Nag Ashwin’s XLife is what you get when a filmmaker misunderstands the plot of Steven Spielberg’s Ready Player One. The movie is set in a dystopian world, the place expertise has taken management of the minds of human beings. Vikram (Sanjith Hegde) is the founding father of XLife, essentially the most superior digital actuality on the earth. Four billion individuals world wide have grow to be hooked on this expertise, which permits individuals to be whoever they need or journey to locations they need whereas sitting on their sofa. What humanity has achieved until now is at stake, forcing a gaggle of rebels to band collectively to finish Vikram’s reign. The premise is formidable but the execution is depressingly shallow. The movie that talks a lot about love, and numerous feelings, does a poor job in translating these feelings successfully on the display screen.
Sankalp Reddy’s Pinky is about a bootleg affair between a former couple. Priyanka (Eesha Rebba) is married to Harsha (Srinivas Avasarala), and Viviek (Satya Dev) is married to Indu (Ashima Narwal). But, up to now, Vivek and Priyanka, who is lovingly known as Pinky, had been married to one another. What occurs whenever you put all these individuals collectively in a room? Drama, clearly. Also, the probabilities are limitless. But, Sankalp has chosen the least thrilling situation, leaving us feeling excessive and dry. The awkward silence, which is meant so as to add to the dramatic pressure within the film, feels ineffective.
Sankalp Reddy earlier advised indianexpress.com that he he believes that digital house offers filmmakers quite a lot of artistic freedom. And sure the medium permits the creators to be braver and experiment with themes, characters and narration strategies. To be truthful, administrators of Pitta Kathalu have tried to be bold and daring. But, simply not sufficient to make this assortment of quick tales memorable.