The first query that got here to my thoughts when Drishyam 2 was introduced was — why wouldn’t director Jeethu Joseph go away Georgekutty and his household alone? Didn’t the household not endure sufficient already? Also, what was the want for a follow-up movie? Didn’t Georgekutty tie up all the unfastened ends and buried the secret the place cops would by no means go digging? Where was the area for an additional story mired in additional deception, extra lies and infinite cover-ups?
In a dialog with indianexpress.com earlier, Jeethu made it very clear that Drishyam 2 could be very completely different from its predecessor. He has taken the premise and principal characters of the first movie however has positioned it in a distinct style. While Drishyam was a criminal offense thriller, the sequel is a household drama. “I thought what would be the reaction of society to that crime? Georgekutty has been accused of a crime and now people are realizing that there is something (fishy) about it. There is no smoke without fire, right? People start gossiping,” he stated.
Here we’re, after seven years, once more able to witness how the household resides with the secret. But, earlier than that, allow us to contemplate the query of why did Drishyam in 2013 turn out to be such an outstanding success? Good Malayalam films getting remakes in different languages is just not one thing unheard of. But, one can’t assure that the remakes would re-create the identical success as the unique movie, a feat Drishyam achieved effortlessly.
The movie impressed remakes in Tamil (Papanasam), Kannada (Drishya), Telugu (Drushyam), Hindi (Drishyam), Sinhalese (Dharmayuddhaya) and even Chinese (Sheep Without a Shepherd). And all of them did excellent enterprise at the field workplace and likewise obtained rather a lot of love from the critics.
What is it about this straightforward story that captured the consideration and creativeness of the folks world over? It is as a result of the story of Drishyam gave life to the worst nightmares of the middle-class, and wrapped it up as an edge-of-the-screen movie.
Jeethu does a rare job in registering the social strata of Georgekutty from the very starting of the movie. The protagonist by no means misses a possibility to remind us that he was an orphan and got here from poverty. he turned the tables by his hard-work and prudence. Brick by brick, he constructed his life from the scratch. He owns farmland and a home, the place he lives along with his spouse and two daughters. He resides the nice Indian middle-class dream; in a means, he’s a stand-in of a big half of viewers. The director introduces an outsider who threatens to remove his life’s work and all that’s treasured to him. And Jeethu intensifies this nightmare, by pitting the household of 4 towards the may of the police equipment. Now, we acquired a basic David vs Goliath theme. And clearly, we wish the helpless household, relying solely on their wits, and fortitude in a struggle that’s seemingly rigged towards them, to win towards the towering authority.
The success of Drishyam in worldwide markets has proven that the middle-class all over the place have comparable values, needs and fears. The themes in Drishyam are universal. This predicament of the Georgekutty household evokes a really primal response from each member of the middle-class society throughout the world. And that’s why we root for the protagonist and are able to forgive him for breaking each regulation to guard what all of us contemplate treasured: the household unit.